I’ve been so pleased with the progress made on the pureambient blog audio companion page, and I am really excited about the music that is still to come as well, discovering all this historic music is both interesting and challenging.
those were simpler times – but I’m constantly amazed by the quality of what these young people (ted holding and dave stafford, and their various friends and musical co-conspirators) accomplished. I am even more impressed by what they accomplished without the benefit of technology more complex than a teac 3340-s – the four-track reel-to-reel recorder of choice in the 1970s. that was all we had, ted had a 3340-S when we were recording from approximately age 15 – 19, and sometime later, I ended up with a 3340S of my own, which I made many, many records on – all the way up through 1995 when I got my first pc. so the state of the art in 1975, well, we had the four-channel deck, ted had good quality mixers, a monster power amp, and giant homemade speaker cabinets to play back through – heaven for two teenage musicians!
the next set of tracks that I am working on will again, reveal a whole new musical direction for holding & stafford, we are now going to veer away from pop, into the fascinating territory of progressive rock improv; with ted holding demonstrating that his ability on hammond organ meets or even exceeds his remarkable capacity as a vocalist or pianist – it’s really an extraordinary set.
I notice now, though, that something else begins to happen: I publish the tracks, people hear them – other people who were there, who remember Ted and his amazing voice, and his amazing songs – and those people then join in, they begin to contribute to the process – in fact just today I received a remarkable recording from joe norwood, featuring ted on a cover version of an ambrosia track – so with joe’s permission, we can very probably add that track to the pages at some point for everyone to enjoy.
this phenomena is really one of the most positive aspects of the internet, for us, uh, more mature folk, it gives us the chance to locate our oldest friends and share with them music or events from the far distant past, no matter how far apart we have become physically.
and when we run across something really special, like the original music of ted holding, well, for me, it made me sit up and notice, “this is something truly special” – so you want to share that, you want people to hear this music that means so much to you, that means a lot to you because you were part of it’s creation – but, that aside, it’s important because it is truly, truly music of quality. it demands to be heard.
then, people who knew the music’s creator appear, and the whole experience just becomes even more enriching, moving and compelling…
when I began the audio cassette restoration project, I never dreamed for one minute that it would be anything more than digitising some cassettes, and hearing and posting on my web site, some of the music from my past. I never dreamed it would then take on a life of it’s own, eliciting such positive responses, and also allowing me to reconnect with some of the other players who were either there at the time along with us, or folk who knew the composer later on in life – the whole thing really has surprised me, in a really positive way – it’s been fantastic.
I can’t wait to get the next batch of music processed and put up on the audio companion page, and watch and listen as this musical story unfolds, and this section, the section featuring my best friend, ted holding, has been my absolute favourite chapter so far, and I know that there are many more pieces featuring ted that will come to light and will add to this online collection of historical, archival releases.
please join us, stop by and have a listen to some of ted’s songs, and our performances of those songs – I would hope you will be pleasantly surprised by the quality of the songwriting, the passion and power of the vocal performances, and the obvious love that we have for the act of music.
as we then move the audio cassette restoration project into the 1980s, the audio companion page will track my own development, first, as a pianist, then, on hammond organ, up until 1988, when guitar really took over completely as my main instrument, I did a lot of really interesting work with both piano and organ, and a lot of this music has never been heard – everything from noise experiments involving a pedalboard that could make music with no guitar attached, to covers of the songs of the day, the music I loved, played on guitar, piano, organ and often, with vocals. so really, a whole new side of dave stafford is about to be unveiled – over time.
when it came time to look at my back catalogue in terms of digitising the work, so, originally, I could produce physical CDs, and latterly, so I could produce portable versions of the music in MP3 form to make them available as downloads, there was absolutely no way at the time (1995) that I could go all the way back to these earliest works.
so I picked an arbitrary cutoff year, and decided that everything before 1992, I would not digitise (at the time) and most of everything after 1992 (with a few notable exceptions, such as 1994’s “worldview” cassette) I would digitise.
it was really an accident then, that my 1992 album “voices from the desert” became my “first” album – which is actually inaccurate, I had created albums on cassette in the 1980s, but since all of that material was before the arbitrary cutoff date – well, “voices” has remained as my oldest released record until now.
the cassette restoration programme, and the reel-to-reel restoration programme slated for 2014 (or sooner, if it can be managed) will aim to change all that, and I hope eventually to “meet in the middle” – as my published CD catalogue works back from the present to 1992’s “voices from the desert”, the dave stafford works to be published on the pureambient blog audio companion page will work forward from 1971 (my oldest recorded music) up to 1992, when “voices” was created”.
it should be noted that 1992 is just the cutoff for dave stafford “solo” works, for bindlestiff and the dozey lumps, well, the former goes back to about 1991, while the latter stretches back to 1988 – but those were exceptions to the rule, and needed to be digitised and included in the currently available back catalogue, which can be downloaded from the pureambient store.
as I noted above, good things start to happen when you share music, and I cannot be more pleased than I already am about unearthing and presenting the remarkable music of theodore landis holding, musician and friend, and I am so glad I have taken the time to clean up and present this work on the audio companion page – a labour of love, as peter hammill might say.
the original songs of ted holding presented here are a tribute to my friend and musical partner, and are dedicated to his memory.