in trying to mentally catalogue all the bands I was in and projects I worked on during this time, it continually amazes me because I think I am done listing them, that I have listed them all, and then yet another comes to mind – of course, on the web site, I do mention “slipstream” * – a covers band I was in when I was about 20 or 21 (so, 1978 -1979) but, also in my early 20s, I was in a band with my friend michael dawson, a bassist who also plays many, many other instruments – he excels at bass, flute, sax, piano – we had met in a record store a long time ago now, both being very much into prog, so we formed this band – and it was a bit different from most of the bands i’d been in, because I picked some of the material – we played roxy music; “love is the drug” and talking heads; “psycho killer” – it was a trio, bass, guitar and drums, and is yet one more example of a band that I was in, for some period of time – and then maybe the drummer would quit, so I would move onto the next band or project…
*slipstream mark I lineup:
mike packard – guitar / lead vocals
elen maisen – lead vocals
dave stafford – lead guitar, keyboards, lead & harmony vocals
pat garrett – bass
lee walters – drums
(notes: later on, after the first year, we had a third guitarist briefly, but only for a few months – John, I believe – but the above lineup was the core group – also, elen couldn’t always rehearse and perform with us due to other commitments so she is on some recordings, and not on others).
we are hopeful that some live and studio tracks from slipstream will eventually appear on the “pureambient blog audio companion” web page which has been set up, but doesn’t yet have any audio content – we are working on that as we speak…
the dave stafford “cassette restoration project” is of course, bringing to light many, many interesting archival recordings, so once some basic cleanup is done with the digital captures from the cassettes, we will start posting samples of the music that we are speaking about here in the “journey through the past” series on the audio companion page.
I mentally consider that this “learning period” really ended when I was 20 or 21, because that was the time in my life where I had to “get serious” and get a regular day job, and of course the moment you do that, you lose a lot of time that was previously available to you to work on music. i’d had jobs before, part time, full time, from when I was about 16 – 17 onwards, but once I was 20, I started serious work at a “real” company – and that led to not being able to practice, rehearse or perform nearly as much as I had in the prolific seven year period from 1973 – 1979. which then, and still, now, I find very frustrating.
i still played in bands whenever I could, it just meant late nights during the week and then still having to get up and go to the day job, but luckily, when you are in your 20s, you still have enough energy to both work full time and play in a band. or at least, sometimes I did. so another set of bands went by, I was in a sort of hard rock band, two guitars, bass and drums, and we played a lot of material that was a bit strange for me – the who, ufo, cheap trick, things I ordinarily wouldn’t listen to or play – but that was a fun band, and we did a few good gigs in the beach area – it was based near the beach, although I have no recollection of who was in the band or what we were called! no idea.
i also think the band with michael dawson, again, name unknown, was during this period of the early 20s…i was probably already working steadily when we met at the record store, and it was some time later that we actually started to play in a group, so I was maybe 22, 23 when we did that project. I don’t think we ever recorded, and, similarly to pyramid, I don’t think we played any gigs (well, pyramid played gigs, but not their real, prog repertoire) and the band with michael had no repertoire except quasi-prog or things like the talking heads, so we never played any gigs at all! but whether the band gigged or not, whether the band ever recorded or not – I learned something from each experience. in some cases, I even ended up fronting the band – and one instance of that would be olympus, the prog band I was in.
this band was formed by an english guitarist and writer who played nylon string guitar – he had a bass player and drummer, and they brought me in to play guitar and keyboards. but very quickly we realised that I had probably the best voice in the band, the writer/leader couldn’t really sing his own songs, so I asked him if he minded if I sang them. he agreed (reluctantly, I think) so I would sing these songs, his lyrics, but making up my own melodies to suit whatever chord progression he had for each piece. we had just two or three long songs that we really struggled to learn, and our drummer had a curious sense of time that made life difficult sometimes. I remember doing a great live jam of “black magic woman” that was excellent – in fact, there were two guitarists, as well as the nylon guitar, bass and drums, so it was a good, full sound. I did find myself in the curious position of fronting a very prog sounding band, so I adopted a singing style that was like my own weird cross between peter hammill and fish – with a california twang no doubt added in unavoidably.
i loved it. I sang the songs with venom, I played keyboards, I played guitar solos using my new digitech dsp128, a great little unit, and we had a blast. we worked really hard (somewhere, I have some rehearsals recorded) on our original music – and then one day, the singer just melted down. he didn’t like the arrangements. he didn’t like what i’d done to “his” songs, he didn’t like the way I sang them (only because he couldn’t) – he basically wanted to get rid of me, get rid of the drummer, and go back to his core three piece of nylon guitar, electric guitar and bass. so he did.
again, as the “journey through the past” series unfolds, we hope to uncover the recordings of “olympus” and possibly present some of them on the “audio companion” page as the series continues over the new few months.
i was a little bit pissed off about the breakup of olympus in particular, because i’d invested a lot of time and sweat into this band – and then we just break up, without…you guessed it, yes, once again….ever playing a single gig. the story of my life it would seem! I was quite unlucky with bands, but, part of that has to be down to the essential unreliability of many musicians – (uh, no offence to anyone living or dead) let’s face it…musicians are not always the most reliable people 🙂
a few of the bands I was in lasted a year or so, slipstream managed maybe two if you count all the different versions – so at least some of the effort, the long rehearsals, lugging guitars and amps and drums about for years on end, paid off – well, not in financial terms, but in sheer enjoyment – even the worst moments, being in a cover band playing a song that you despise, for example (let’s say, an eagles or a fleetwood mac song) – can be vindicated when you get to play a song you love (let’s say, an allman brothers or a steely dan song) – and then, it’s all worthwhile – for that ten minutes or whatever it is, while you get to play the music that you love…
(for a moment, back on stage again, eyes closed, playing the guitar solos from “in memory of elizabeth reed”…)
meanwhile, at the same time, work continues on the videos of korg kaossilator live performances from the december 27th, 2011 session.
even by my somewhat prolific standards, the session was a marathon – I think I recorded something like 30 plus tracks over the course of a few hours, most of them, single live take one takes. after an initial review of the audio performances (I always focus on the audio, the video is secondary) that pared it down to about 16 viable performances.
further review later revealed a few tracks that were still not up to standard, so now the total number of viable tracks from the sessions stands somewhere between 11 and 14 – approximately. when I sit down to make each video, that’s when the final decision gets made.
since I had such a wealth of good material from the session, I undertook to create a dedicated channel named kaossilatorHD to present the results, because I felt that many of the performances are quite strong and some of the material is really quite good – especially the drone / ambient style pieces (I believe there are either 3 or 4 of those, I am not quite sure without looking at the directory) but I feel that the device has potential, and was therefore worthy of its own youtube channel.
a couple of days after the session, I uploaded the first two videos, “alchemy & magic I” and “zencouraging” – the latter garnering an immediate video response from an old bandmate/bass player that i used to be in a band with many years ago, my old friend michael p. dawson (now of the band “stumbling grace”) – and it was a real surprise in so many ways, a lovely, thoughtful response, and the flute part that michael played atop my track is downright beautiful – so quite a response for my first kaossilator videos ever.
earlier today, I released the next two videos from the session onto the kaossilatorHD channel: “sandstorm” is another in the ambient / drone category, while “miles of files” is a piece of strange synth jazz, with a wonderful synth trumpet solo at the end. so part of tonight’s work was the creation of videos five and six, with a view to publish those next weekend – the plan being to create and release two videos a week until I run out of videos…at which point, it will be time to record some more!
playing the kaossilator is incredibly liberating. I’ve been playing the piano for about…49 years now roughly speaking, and the guitar for between 40 and 44 years, depending on when you count from (I had a guitar at nine, but didn’t get “serious” about playing it until I was about 13 – which is when I started playing in bands) – so all my life, I have played on and been dependent on, keys and strings, strings and keys. the kaossilator tosses such conventions out the window and says “I can do all that and more on a tiny x-y pad” – and…so it can.
so video five, “minibus to nowhere” is complete and ready for eventual release, while video six, “southeast by southeast” is rendering right now.
if you have a chance, please visit the kaossilatorHD channel and listen to this remarkable musical and creative tool – it’s brilliant!